Jean Carla Rodea (b in Mexico City) is a research-based interdisciplinary artist and educator currently living between Brooklyn, NY and San Francisco, CA. Her/their work involves a variety of disciplines and mediums such as music, sound, poetry, vocal performance and performance art, photography, video, movement, and sculpture. Her artistic practice deals with spaces and instances where problematic socio-political and cultural constructs are rendered visible through multimedia installations and performance.
As a musician, Jean Carla is dedicated to perform and compose a plethora of music/sound in a variety of settings – from solo to large ensembles. She/they have performed and recorded with William Parker, Darius Jones’ vocal quartet Elizabeth-Caroline Unit, Gerald Cleaver’s Uncle June, Anthony Braxton’s Syntactical Ghost Trance Music Choir, Cecilia Lopez’s Machinic Fantasies, and Talibam!. In addition to this, she/they lead her/their own multi-media projects; Buscando a Marina/Looking for Marina, and Azares. Jean Carla has worked with Asiya Wadud, Miriam Parker, rebeca medina, Merche Blasco, Amirtha Kidambi, Patricia Nicholson, Jo Wood Brown, Rachel Bersen, Anastasia Clarke, Taylor Ho-Bynum, Joe Morris, Stephen Haynes, Matt Mottel, etc. She has performed extensively and shown work at Roulette Intermedium, Carnegie Hall, BRIC, Knockdown Center, Judson Church, Danspace, Center for Performance Research, Panoply Lab, Parallel, Rio ll Gallery, The Clemente, BRAC, WAAM, El Museo de Los Sures, Casul, The Graduate Center, to mention a few.
Photo by Andrea Rodea
CV available upon request.